I'm excited to host a Q&A from rom-com author Katelyn Doyle on my blog today that discusses her book Just Some Stupid Love Story, along with a little about her writing process, and what we can look forward to from her in future. The novel is Doyle's debut into contemporary romance. Here is a short synopsis for the book shared by MacMillan Publishers.
For fans of Emily Henry, a debut about a rom-com screenwriter who doesn't believe in love and a divorce attorney who does, forced together at their high school reunion fifteen years after their breakup
Molly Marks writes Hollywood rom-coms for a living—which is how she knows “romance” is a racket. The one and only time she was naive enough to fall in love was with her high school boyfriend, Seth—who she ghosted on the eve of graduation and hasn’t seen in fifteen years.
Seth Rubinstein believes in love, the grand, fated kind, despite his job as, well…one of Chicago’s most successful divorce attorneys. Over the last decade, he’s sought “the one” in countless bad dates and rushed relationships. He knows his soulmate is out there. But so far, no one can compare to Molly Marks, the first girl who broke his heart.
When Molly’s friends drag her to Florida for their fifteenth high school reunion, it is poetic justice that she’s forced to sit with Seth. Too many martinis and a drunken hookup later, they decide to make a bet: whoever can predict the fate of five couples before the next reunion must declare that the other is right about true love. The catch? The fifth couple is the two of them.
Molly assures Seth they are a tale of timeless heartbreak. Seth promises she’ll end up hopelessly in love with him. She thinks he’s delusional. He has five years to prove her wrong.
Wickedly funny, sexy, and brimming with laughs and heart like the best romantic comedies, Just Some Stupid Love Story is for everyone who believes in soulmates—even if they would never admit it.
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Photo credit Shannon M. West |
A Conversation with Katelyn Doyle
Author of Just
Some Stupid Love Story
Q: Just Some Stupid Love Story is a second chance romance that sees
former flames Molly and Seth cross paths at their 15-year high school reunion.
What makes high school reunions such great backdrops for interpersonal drama,
and did you always know you wanted the book to open with a reunion?
A: The beauty of a high school reunion is that you are surrounded by
people who knew you right at the time you are defining yourself and beginning
to become who you are going to grow up to be. So much of who we are is coming
into focus when we’re in high school, and while we (hopefully) evolve past
that, going through the adolescent trenches with your classmates gives you very
useful context into their personalities. Especially if one of those classmates
happens to be your first love.
A high school reunion is therefore a very heightened setting, because
you want to see all your old pals and learn how they’re doing…and you also very
likely want to show everyone you’ve conquered the world and met your potential.
Part of the fun of going is to reconnect with people who know who you were,
while also introducing them to who you’ve become. And that is such a delicious
dynamic to kick things off with in a second-chance romance.
This is so important for Seth
and Molly because he’s not just seeing her as the hotshot too-cool-for-love
woman she presents herself as when they meet as adults. He still knows the
funny, brilliant, vulnerable, girl she was when they first fell in love at
fifteen. He already knows she’s capable of great ardor—he’s experienced it—and
that gives him the ability to see through her adult emotional defenses and
believe in the possibility of their romance even when her instinct is to push
him away.
And for Molly, she fell for Seth when she was younger and softer and not
yet so terrified to let herself love someone. She can’t fully safeguard her
heart against the truth of all those big unresolved feelings they had for each
other, no matter how badly she wants to.
High school reunions are also legendary vehicles for drunken
hookups—cough cough, Seth and Molly—and a great place to party and bond with
old buds. That was also fun to write, because it gives us an opportunity to
meet Seth and Molly’s friend group, who we get to know and love over the course
of the story.
Q: This is a dual POV
contemporary romance! Which feels increasingly hard to find these days—what
made you want to write this story from both Molly’s and Seth’s perspectives,
and was that always the plan when you started writing?
A: I adore dual POV stories because I love seeing a relationship evolve
from both sides of the story. I think it gives you a very intimate lens into
the two protagonists’ personalities. (I like to think that romance novels are
thrillers of intimacy.) So yes, that was definitely the plan!
Q: You’ve previously written
bestselling historical romance novels under the name Scarlett Peckham. When did
you decide to try writing a contemporary romance, and what are the biggest
differences between writing historical and contemporary?
A: I was feeling creatively frustrated after the pandemic and had some
trouble with a historical book I was working on. So, while waiting for edits
back from that book, I decided to try something new to see if it would
kickstart my creativity. I adore rom-coms and had been kicking around the idea
to pair a romance-averse rom-com writer with a hopelessly romantic divorce
attorney for a long time, so that was the idea I wanted to pursue. And the book
just poured out of me. It worked for reinvigorating my brain too—my subsequent
historical book was a dream to write.
My historical books are very different in mood from this book—they are
written in third person, they are very steamy,
they’re all set in 18th-century England, and while they have a lot
of humor and swoonery, they’re more politically pointed. (The vibe shift is why
I decided to publish under a different name.)
From a writing perspective, historicals require a lot more research and
I find that in writing them, I’m more focused on subverting tropes and being in
conversation with the long history of the sub-genre, which is evolving very
quickly and in an exciting way. I’m also very focused on reflecting the
political moment of the time in those books—spotlighting people who were
challenging cultural mores, fighting for expanded rights and pushing forward
progressive values.
In contrast, I like my rom-coms to be more bubbly and hilarious with big
fun set pieces and splashy locales, and to write them in first-person so we
feel very close to the characters’ brains and emotions as they are falling in
love.
Q: Can you tell us a little about
your writing routine? Where and when do you most like to write?
A: I usually write from about noon to five or six, always on my tattered
living room couch, and always with my cat and a selection of about five
beverages nearby. But I’m not a “MUST WRITE EVERY DAY” type of writer…I tend to
follow my creative impulses. If there’s a day I don’t feel like writing I don’t
stress about it (unless I’m on deadline) because I feel like my brain probably
needs a break to do background work. (Rebecca Solnit once wrote “writing is not
typing” and I firmly believe this to be gospel.) And if I feel like holing up
for an entire weekend and downloading my whole brain into my laptop, I jump on
the opportunity to follow the muse.
Q: Lastly, we have to ask – what
are you working on next?
A: I’m working
on my next rom-com! Without saying too much, it’s about two people who
absolutely despise cruises who are dragged aboard a luxury Caribbean cruise
catering to a “mature” clientele for two weeks. I went on a similar cruise to
research it, so it’s filled with true-to-life set pieces—swimming with pigs,
Sinatra impersonators, “cruise ambassadors” paid to ballroom dance with the
single ladies, copious buffets—not to mention lots of steamy forced proximity
from our two characters and a big plot twist. It’s been a blast to write.